Free Minor Blues Etude

saxophone lessons

I’ve just hit 300 subscribers to my YouTube channel, and so by way of thanks I’ve written you this Minor Blues etude, for you to download completely for free, to help you develop both your saxophone playing and understanding of jazz at the same time!

It’s aimed at the intermediate level saxophonist, and it’s full of the core language of jazz so great practise for you. You’ll find the piece packed with the core facets of Bebop, such a enclosures and tri-tone substitutions, but you’ll also find more contemporary language such as quartal lines too. Plus, there’s the use of alternate fingerings such as “Fork F Sharp”, “Front E” and “Front F” to further develop your technique – all helping you take your playing to the next level, both as a saxophonist and improvising musician!

As well as the pdf of the chart you can download 3 backing track mp3s at 100, 116 and 138 bpm for you to practise along to.

This etude uses language taken from my eBook “Jazz Licks for Saxophone, Vol. 1” available in my Book Shop.

Minor Blues Etude – Eb Saxes Version

Learn to Improvise on Sax: First 12 Bar Blues (Parts 1 & 2)

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This is the 7th lesson in my series on improvising on the saxophone, and we’ve been building things up to this point – where we can tackle a complete chord progression! In this lesson we’re going to get you improvising over the 12 Bar Blues, arguably one of the most important chord progression in jazz for you to master!

For the purpose of this lesson, we’re going to work on a fairly straight-forward version of the 12 Bar Blues which just uses dominant 7th chords. We’re also going to focus exclusively on playing chord tones as doing this is going to better help you become accurate with improvising over a chord progress, and help you lose any vagueness.

First 12 Bar Blues: Part 1

This video lesson is rather big, so I’ve had to divide it into 2 parts. Therefore, in Part 1 we going to focus on the Structure of the Blues; the arpeggios of the Dominant 7th chords used; and then get you playing the arpeggios and their different in versions and applying them to our form of the Blues.

There’s 29 exercises in Part 1 alone and so this video is meant for repeat viewing. That way you can really get the chords and their arpeggios under your fingers as well as internalise the sound and form of the Blues.

This is great for your technique on the saxophone, but it’s also great ear training for you. Stick with it, and the work will certainly pay off in the long run.

So, let’s get to it!


Learn to Improvise on Sax: First II-V-I Chord Progression

online lessons, saxophone lessons

Let’s continue our work on improvising by looking at your first complete II-V-I chord progression!

This is the 6th lesson in my series on improvising on the saxophone and you’ll find all on my other videos on my YouTube channel or in previous blog posts.

The II-V-I chord progression is arguably the most important progression in jazz music, and so let’s take a deep dive into it, with lots of exercises to work on to help build your accuracy and fluency when improvising.

Let’s get to it!


Learn to Improvise on Sax: Chord II – Chord V

online lessons, saxophone lessons

Join me on my quest to help you learn to improvise on the sax! This is the 5th lesson in my series on improvising on the saxophone and you’ll find all on my other videos on my YouTube channel.

In this video we’ll be looking at another hugely important chord progression in Jazz. That of the chord II to chord V movement.

For this exercise we’ll be improvising over 2 bars of a minor 7th chord followed by 2 bars of dominant 7th chord.

Again, I want to work on the progression in two different ways with you. Firstly, I want you to improvise using purely chord tones, as this is great for your ear and accuracy. Then secondly, improvise using the associated modes modes, as this will give you more colours to play with and help you build a better sense of flow into your soloing.

Ultimately, when we improvise we use a combination of both scales and arpeggios to express our ideas!

Let’s get to it!


Learn to Improvise on Sax: Chord I – Chord IV

online lessons, saxophone lessons

Join me on my quest to help you learn to improvise on the sax! This is the 4th lesson in my series on improvising on the saxophone and you find the other videos on my YouTube channel.

In this video we’ll be looking at the hugely important chord progression in Jazz. That of the chord I to chord IV movement.

For this exercise we’ll be improvising over 2 dominant 7th chords, with 2 bars on each chord.

This time I want to work on the progression in two different ways with you. Firstly, I want you to improvise using purely chord tones, as this is great for your ear and accuracy. Then secondly, I want you to improvise using mixolydian modes, as this will help you build a better sense of flow into your soloing. Ultimately, when we improvise we use a combination of both scales and arpeggios to express our ideas!

Let’s get to it!


Jazz Licks for Saxophone, Vol. 1

saxophone lessons

Jazz Licks for Saxophone, Vol. 1

B Flat Saxophones Edition (PDF Download)

100 Interchangeable Long Major II-V-I Licks

Jazz Licks for Saxophone, Vol. 1 is arguably the most authentic and efficient book for saxophonists to use to help them develop their jazz vocabulary.

Included in the book are 100 licks to play over the hugely important “long” Major II-V-I chord progression. The licks are written mostly in the bebop tradition and presented in all 12 keys. They all cover the key aspects of jazz including enclosures, tri-tone substitutions, diminished and altered scales. This is core jazz language for any saxophonist!

“A very enjoyable pair of books. Good tunes, cool licks, ace backing tracks and a great workout for my playing – Hugely recommend!”

J. Raisbeck, Sax Student, Newcastle, UK

As well as the 100 licks written out in all 12 keys, this book comes with a huge number of demo and backing tracks. You’ll get the following practise materials when you download the book: –

  • 100 Demo/Play-a-long tracks for each of the licks
  • 6 Demo/Play-a-long tracks for the example “Spliced Licks”
  • 72 key based practise tracks (covering 6 different tempos ranging from 108 – 200 bpm)
  • 48 fluency work out tracks (taking the major II-V-I around all 12 keys in 4 different ways, covering the same tempos as above)
  • Chord charts for all of the above, and space for you to try out and write down your own major II-V-I licks!
  • Alternate fingering recommendations where applicable for each of the licks!

Please note, as most of my website’s visitors are now not UK based, I’m now processing payments in US Dollars for their ease of purchase.

Scroll images for example pages from the book.


A More Authentic Approach to Using Jazz Licks in Improvisation

Not only does Jazz Licks for Saxophone, Vol. 1 give you 100 great licks, the core concept of this book is that the licks are “interchangeable.” What do I mean by this?

In Jazz Licks for Saxophone, Vol. 1 I group the licks by the note that they land on beat 1 of bar 2. You can then transition to another lick at this point should you wish, and the result will always sound good. This then gives you lots of different options to work with, helping you use licks in a more creatively.

How To Add Licks Into Solos

Improvisation, Jazz, online lessons, saxophone lessons

In this post I’m going to go over the key area of how to add licks to your improvised jazz solos. It’s a great way to start building your jazz vocabulary for improvisation, plus it’s great ear training too!

For this I’m going to be using my “Top 5 Bebop Licks” introduced in one of my earlier posts. Please check that out or just grab the PDF download from the resources section below.

Which Saxophone Is Best For Me?

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Nathan performing on his Selmer MKVI Alto Saxophone

Are you new to the sax? Unsure of which saxophone you should be learning on? I’m here to help…

The short answer is I always recommend that people start learning on an Alto Saxophone.

“Why?” you might ask…

So, as you might have gathered I’ve been teaching for quite a few years now and during that time I have literally taught hundreds of saxophone students. I’ve taught complete beginners (both adults and children) right the way through to advanced level students studying for their performance based degrees at the London College of Music.

I’ve seen how a lot of people handle and can cope with the various types of saxophone at different stages of their advancement and have drawn some conclusions.

5 Top Tips for Beginner Saxophonists

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The Yamaha YAS-280 – arguably the best beginner level saxophone available to buy!!

There is an absolutely crazy amount of content on the internet with saxophone lessons aimed at beginners, but from a lot of the videos I’ve seen they either get the basics wrong or they don’t explain things particularly well. I thought I’d therefore do a post providing some useful tips aimed at beginner saxophonists. That way you can get off to the best of starts!!

Here are 5 top tips for beginner saxophonists everywhere: –

Online Music Lessons

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Take online music lessons with professional saxophonist Nathan Hassall.  Saxophone, Jazz, Improvisation and Music Theory Lessons available.
Nathan’s Online Music Lessons Set-up!

With the Coronavirus, Covid-19 currently bring life as we know it to a standstill I thought it would be a good time to write a post focusing on teaching music lessons online.

Having music lessons of any any nature online is nothing new. With the development of broadband and platforms such Skype people have taken music lessons via the internet for years.

If you think about it there are some serious benefits to having online lessons. Arguably the biggest one is that you can take saxophone lessons with whoever you want to as there are no physical requirements to be in the same place. With only a good broadband connection and a webcam you can benefit from lessons with some of the best professional saxophonists working today, and not be limited to those who lives close by to you. (ed. As a professional saxophonist with (usually) a busy performing schedule as well as my teaching and lecturing positions at both the London College of Music and Royal College of Music, I hope that does include me! – modest I know!!)