I’ve just hit 300 subscribers to my YouTube channel, and so by way of thanks I’ve written you this Minor Blues etude, for you to download completely for free, to help you develop both your saxophone playing and understanding of jazz at the same time!
It’s aimed at the intermediate level saxophonist, and it’s full of the core language of jazz so great practise for you. You’ll find the piece packed with the core facets of Bebop, such a enclosures and tri-tone substitutions, but you’ll also find more contemporary language such as quartal lines too. Plus, there’s the use of alternate fingerings such as “Fork F Sharp”, “Front E” and “Front F” to further develop your technique – all helping you take your playing to the next level, both as a saxophonist and improvising musician!
As well as the pdf of the chart you can download 3 backing track mp3s at 100, 116 and 138 bpm for you to practise along to.
This etude uses language taken from my eBook “Jazz Licks for Saxophone, Vol. 1” available in my Book Shop.
This is the 7th lesson in my series on improvising on the saxophone, and we’ve been building things up to this point – where we can tackle a complete chord progression! In this lesson we’re going to get you improvising over the 12 Bar Blues, arguably one of the most important chord progression in jazz for you to master!
For the purpose of this lesson, we’re going to work on a fairly straight-forward version of the 12 Bar Blues which just uses dominant 7th chords. We’re also going to focus exclusively on playing chord tones as doing this is going to better help you become accurate with improvising over a chord progress, and help you lose any vagueness.
First 12 Bar Blues: Part 1
This video lesson is rather big, so I’ve had to divide it into 2 parts. Therefore, in Part 1 we going to focus on the Structure of the Blues; the arpeggios of the Dominant 7th chords used; and then get you playing the arpeggios and their different in versions and applying them to our form of the Blues.
There’s 29 exercises in Part 1 alone and so this video is meant for repeat viewing. That way you can really get the chords and their arpeggios under your fingers as well as internalise the sound and form of the Blues.
This is great for your technique on the saxophone, but it’s also great ear training for you. Stick with it, and the work will certainly pay off in the long run.
Let’s continue our work on improvising by looking at your first complete II-V-I chord progression!
This is the 6th lesson in my series on improvising on the saxophone and you’ll find all on my other videos on my YouTube channel or in previous blog posts.
The II-V-I chord progression is arguably the most important progression in jazz music, and so let’s take a deep dive into it, with lots of exercises to work on to help build your accuracy and fluency when improvising.
Join me on my quest to help you learn to improvise on the sax! This is the 5th lesson in my series on improvising on the saxophone and you’ll find all on my other videos on my YouTube channel.
In this video we’ll be looking at another hugely important chord progression in Jazz. That of the chord II to chord V movement.
For this exercise we’ll be improvising over 2 bars of a minor 7th chord followed by 2 bars of dominant 7th chord.
Again, I want to work on the progression in two different ways with you. Firstly, I want you to improvise using purely chord tones, as this is great for your ear and accuracy. Then secondly, improvise using the associated modes modes, as this will give you more colours to play with and help you build a better sense of flow into your soloing.
Ultimately, when we improvise we use a combination of both scales and arpeggios to express our ideas!
Join me on my quest to help you learn to improvise on the sax! This is the 4th lesson in my series on improvising on the saxophone and you find the other videos on my YouTube channel.
In this video we’ll be looking at the hugely important chord progression in Jazz. That of the chord I to chord IV movement.
For this exercise we’ll be improvising over 2 dominant 7th chords, with 2 bars on each chord.
This time I want to work on the progression in two different ways with you. Firstly, I want you to improvise using purely chord tones, as this is great for your ear and accuracy. Then secondly, I want you to improvise using mixolydian modes, as this will help you build a better sense of flow into your soloing. Ultimately, when we improvise we use a combination of both scales and arpeggios to express our ideas!
Jazz Licks for Saxophone, Vol. 1 is arguably the most authentic and efficient book for saxophonists to use to help them develop their jazz vocabulary.
Included in the book are 100 licks to play over the hugely important “long” Major II-V-I chord progression. The licks are written mostly in the bebop tradition and presented in all 12 keys. They all cover the key aspects of jazz including enclosures, tri-tone substitutions, diminished and altered scales. This is core jazz language for any saxophonist!
“A very enjoyable pair of books. Good tunes, cool licks, ace backing tracks and a great workout for my playing – Hugely recommend!”
J. Raisbeck, Sax Student, Newcastle, UK
As well as the 100 licks written out in all 12 keys, this book comes with a huge number of demo and backing tracks. You’ll get the following practise materials when you download the book: –
100 Demo/Play-a-long tracks for each of the licks
6 Demo/Play-a-long tracks for the example “Spliced Licks”
72 key based practise tracks (covering 6 different tempos ranging from 108 – 200 bpm)
48 fluency work out tracks (taking the major II-V-I around all 12 keys in 4 different ways, covering the same tempos as above)
Chord charts for all of the above, and space for you to try out and write down your own major II-V-I licks!
Alternate fingering recommendations where applicable for each of the licks!
Please note, as most of my website’s visitors are now not UK based, I’m now processing payments in US Dollars for their ease of purchase.
Scroll images for example pages from the book.
A More Authentic Approach to Using Jazz Licks in Improvisation
Not only does Jazz Licks for Saxophone, Vol. 1 give you 100 great licks, the core concept of this book is that the licks are “interchangeable.” What do I mean by this?
In Jazz Licks for Saxophone, Vol. 1 I group the licks by the note that they land on beat 1 of bar 2. You can then transition to another lick at this point should you wish, and the result will always sound good. This then gives you lots of different options to work with, helping you use licks in a more creatively.
Jazz Etudes for Saxophone Vol. 1 is the first in a series of eBooks written to help the saxophone student learn to how to improvise.
Please note, as most of my website’s visitors are now not UK based, I’m now processing payments in US Dollars for their ease of purchase.
“The book is really good. So much material in each and every one of the études.”
Alistair Parnell, iSax Academy
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If you are an intermediate or advanced level saxophonist, but when it comes to jazz and improvisation you don’t know what to play, then this series of jazz etudes is specifically written for you.
Scroll images for example pages from the book.
Authentic Jazz Etudes
In the book, you’ll find 12 jazz etudes based upon the chord progressions to famous jazz standards and the blues. All in common keys for the saxophonist, so they’ll fit “neatly under the fingers.” No dubious transpositions to be found here!
The Legendary Charlie Parker, Photo Credit: William P Gottlieb
It’s recently been the 100th birthday of the legendary saxophonist Charlie Parker. Most musicians, and jazz enthusiasts know that he was (and still is) a huge influence on the music, but don’t necessarily understand why. I therefore decided to not only post a transcription of one of his solos, but take a closer look at what he actually plays so we can try and understand his genius (even if it’s just a little bit)!
Sonny Stitt’s Solo On “Elora” (Take 2) by J. J. Johnson
Sonny Stitt in 1971. Photo Credit: JPRoche
This is how I discovered the music of the great jazz saxophonist Sonny Stitt…
When I was fresh out of the Royal College, very young, and so very naive I arranged to have a sax lesson with the legendary American saxophonist Bob Mintzer whilst he was over in the UK on tour with his band the “Yellow Jackets”.
Back then I was still finding my feet with my jazz playing and if I think back to that lesson it makes me shudder! What on earth was I thinking?! Anyway, Bob was very kind to me in that lesson and actually he gave me some invaluable pointers.
Take saxophone lessons with Nathan! Professor of Saxophone at London College of Music
10% Off Blocks of 10 Lessons Booked In August (& Now September) 2020!
UPDATE – I’ve had an awesome response with this offer and I’m thrilled with just how popular it has been with new and existing students, so I’ve decided to keep it running for another month!
I’m offering a 10% discount for any student who books and starts a block of 10 lessons in August (or now September) 2020. That’s up to a £40 saving if taking 60 min lessons, or basically you’ll be receiving one lesson free!
The summer holidays are upon us and yet with most of us staying at home, there couldn’t be a better time to take up a new hobby, or get cracking on your new goal for your saxophone playing.
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